Deanbnw:However, when I try and use FilmPack within Photolab, I only get about 25 presets, and non of them are related to film stockWhy am I missing most of my FilmPack presets when I use it inside Photolab?Are you seeing the FilmPack 5 Elite license when you open PhotoLab?Once you have Film Pack 5 running what you need is the Color Rendering palette.Here’s what my core corrections look like. I usually choose Color Rendering second, right after fixing white balance, as every other change is affected by color rendering. I understand his confusion. In FilmPack there are 121 presets, including those for the various film types, where you can get a preview of what your image will look like before selecting it. He was expecting to see those same presets in the PhotoLab plug-in. However, of course, with the plugin you only get the non-film type FilmPack presets.
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And have to select the film types from a list in Color Rendering, at you pointed out. Unfortunately,it is not very intuitive. And, of course, as a result the plug-in does not provide film type previews like the stand alone version does. For those not familiar with the effects all those different films types will have on their image, it may be a bit disappointing and more of a struggle deciding which film type to select.
If someone wanted to, they could create a preset for each film type, but it would be a big effort.Mark. Sigi:Mark, a big THANK YOUDon’t thank me just yet.
I did one and it only took a minute or two. I just need a block of time. I’m also not sure where to put them so others can access them. I’ll have to figure that part out. I didn’t check to see how big it is but I’m pretty sure each preset is fairly small in size. If I’m going to distribute them, even for free, I’m probably going to have to see if I can put the registered trademark symbol in the name, and whether that will create a naming problem for Macs and PCs.Mark. Mwsilvers:I’m considering building presets for the all the film types as seen in the stand-alone version.Before you do too much work, Mark there’s an easy way to preview all the FilmPack-related film-types;.
Within Color Rendering, select, say, “Color negative films ”. Then select the first Rendering type (“Adox Color Implosion”) it will be applied to the image for your assessment. Then, with your cursor still on the Rendering option-box, simply press Down-Arrow to scroll thru all available film types. Ditto for Color Positive Films etcRegards, John MPS. If you decide to stick with your preset approach then remember to create them as Partial presets. Mwsilvers:If I’m going to distribute them, even for free, I’m probably going to have to see if I can put the registered trademark symbol in the name, and whether that will create a naming problem for Macs and PCs.Good thinking, sins we have a new you can put the link there when you ready.About partial presets, did any one some on contrast? Like:Not the common one’s as low mid and high on one slider as contrast is but more fine tuned one’swhich includes micro and fine settings?most of the time i just fiddle a bit until i am satisfied (i am to impatient to look through al the possibilities behind all tools ) but a partial preset list to apply only for contrast for portrets, landscape, buildings, sundowns, That could be usefull.(like the NIK’s black and white filters can do).
John-M:Before you do too much work, Mark there’s an easy way to preview all the FilmPack-related film-types;. Within Color Rendering, select, say, “Color negative films ”. Then select the first Rendering type (“Adox Color Implosion”) it will be applied to the image for your assessment.
Then, with your cursor still on the Rendering option-box, simply press Down-Arrow to scroll thru all available film types. Ditto for Color Positive Films etcRegards, John MPS. If you decide to stick with your preset approach then remember to create them as Partial presets.But it’s still just a list. Using the down arrow, (on a PC) does nothing. And yes they would be partial presets.
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